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Esperanza was a master artist. Her paintings, watercolors and drawings can be stunning. She painted in various styles over the years, not in sequence but in parallel. Some of her paintings were in a simple style, some extraordinarily complex. I do not find all of her styles appealing. But her best styles rival those of the great masters. I had seen Rembrandt's masterpieces in the Rijksmuseum in Amsterdam. His subjects' eyes and faces were stunningly realistic, but he was not so precise about their clothing. Esperanza's subjects' eyes and faces were equally realistic - and you could see the very weave of the fabrics: she did not stop at realistic eyes and faces. I first encountered her work at the 2012 Arte Americas exhibition in Fresno, California. Just seeing her watercolors as they hung nearest the entrance, I realized that this was an exceptional artist. This web page and the accompanying family tree are my way of honoring her memory. -- Wesley Johnston |
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Click here for her family tree. Click here for her biography and honors, written by her best friend Ramona Walker.
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"La Tehuana" or "La Niña de Tehuantepec" Click on image to view larger. This is, to me, a masterpiece. Imagine a blank piece of paper, and she turned that into this. -- Wesley Johnston |
Esperanza (Perez) Martinez |
Some of the many works by Esperanza
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Esperanza Martínez (1934–1998) was a Mexican-born painter who lived in Southern California She was known for portraits and genre scenes of rural Mexican farmers, formal portraits of prominent Mexican-Americans and pastel paintings of Native American subjects. As a precocious young artist, Martinez studied with the famous Mexican muralist Diego Rivera. She moved to the Los Angeles area in 1963 and lived with her family in Hacienda Heights. Martinez died from cancer in 1998. Esperanza Martinez was born as Esperanza Perez was in Mexico city in 1934. She was a precocious talent who began drawing at the age of three at her grandfather's urging. She began painting under the supervision of an art teacher at seven and then, as she matured, she began to study more formally and sold her first painting at the age of twelve. In later interviews she stated that she received little encouragement from her family as they felt that female artists like Frida Kahlo were less than virtuous women. Martinez credited Frida Kahlo's husband, Diego Rivera, with giving her the confidence to become a professional artist. Artistic maturity and the United States
The Heritage of Mexico Suite
Family and death
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